Contents
pdf Download PDF
pdf Download XML
347 Views
6 Downloads
Share this article
Research Article | Volume 4 Issue 5 (Sep-Oct, 2022)
Religious Bigotry In Chimamanda Ngozi Adichie’s Purple Hibiscus
Under a Creative Commons license
Open Access
Abstract

Africa has a wide range of religious beliefs and practices which are derived from the people‟s cherished cultural heritage and which connects the past with the present. Adichie‟sPurple Hibiscus exhibits a technique of contrasting Christian characters with Traditional African ones in order to expose the contradictions of the Christian religion and its adherents in Africa. She also portrays Christianity as an extended arm of colonialism and neo-colonialism. This research employs textual or content analysis of the primary text, Purple Hibiscus, as well as other polemical works in evaluating and analyzing religious bigotry as a major theme in the novel. The researcher also consulted other critical works written by other critics on ChimamandaNgoziAdichie‟s novels as secondary sources. This research shows that Adichie perceives Traditional African religion as the same, if not very similar in many respects as the Christian religion which was introduced by the white missionaries. The only difference being largely in names, mode of worship and certain principles. She is not against Christianity but only frowns at the way Christianity is manipulated by some adherents, especially the educated elites, in order to exploit and subjugate others.

Keywords
Recommended Articles
Research Article
Educational Video: A Multimodal Approach in Teaching Secondary Social Studies
...
Research Article
The Impacts of Truancy on Students’ Academic Performance In Public Secondary Schools. A Case Study of Morogoro Municipality
Research Article
An Initiative on Nutrition in the Title II based Safe Motherhood and Child Survival Program of Catholic Relief Services, Lucknow, UP, India
Research Article
De-Structuring Social Orders for Social Change: A Feminist Critical Discourse Analysis of Excerpts from Two Contemporary Literary Artifacts
Chat on WhatsApp
© Copyright iarcon international llp