<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" article-type="Research Article" dtd-version="1.0"><front><journal-meta><journal-id journal-id-type="pmc">ijahss.in</journal-id><journal-id journal-id-type="pubmed">IJAHSS.IN</journal-id><journal-id journal-id-type="publisher">IJAHSS.IN</journal-id><issn>2582-3647</issn></journal-meta><article-meta><title-group><article-title>L'utopie moderne : champ idéal pour l'inclusion de l’enrichissement du champ utopique et des principaux enjeux de la méditation utopologique
Mrs. Ghita BENDAOUED</article-title></title-group><contrib-group><contrib contrib-type="author"><name><given-names>Ghita None</given-names><surname>BENDAOUED</surname></name></contrib><xref ref-type="aff" rid="aff-a" /></contrib-group><aff-id id="aff-a">Doctor in French Literature ; From the University of Sidi Mohamed Bien Abdellah Morocco</aff-id><abstract>The ancient/modern antinomy represents the rupture of the order of knowledge based on the change in the mode of existence and the state of man, which has been fixed within its historical and conceptual border since ancient Rome, is seen as being reworked within its graphic representations and reversed within its conceptual bases through the geographical, historical and conceptual insertions of this New World. The latter thus proves the persistence of the utopian ideal of the perfect city. So, in terms of image, the Renaissance is defined not as the era of Enlightenment, but as the birth of day, when light is still penetrated by shadows, it thereby seeks adjustment and balance in a confluence of adversaries which rejects the violence of antitheses. For the world conceived as an abundance of souls, the modern era would tend to substitute, despite Platonism, the relationship between the subject and the object, and despite or through all the meditations on the force of wealth, it would tend to define man as the architect of his action. Even if it is possible to doubt that the utopian imagination is at the origin of all our mental attitudes, we can only adore the effrontery and the fullness of this beautiful synthesis.</abstract></article-meta></front><body /><back /></article>